Last edited by Yojora
Thursday, July 23, 2020 | History

9 edition of Cinesexuality found in the catalog.

Cinesexuality

Patricia MacCormack

Cinesexuality

by Patricia MacCormack

  • 388 Want to read
  • 28 Currently reading

Published by Ashgate in Aldershot, Hants., England, Burlington, Vt .
Written in English

    Subjects:
  • Homosexuality and motion pictures,
  • Sex in motion pictures,
  • Gaze in motion pictures

  • Edition Notes

    Includes index.

    Statementby Patricia MacCormack.
    SeriesQueer interventions
    Classifications
    LC ClassificationsPN1995.9.S45 M24 2008
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL16637346M
    ISBN 109780754671756
    LC Control Number2008008234

    out: Cinesexuality does not do dialectics – largely because, for MacCormack, dialectics just won’t do. Though the book is unflinching in its approach to and engagement with messy dialectical fusion, it resolutely refuses to sanction a retrenchment of subject­hood + image­bearing screen. Central to. In her book “Cinesexuality”, MacCormack () argues that people fancy extreme cinemas for the art bit that is depicted. However, the author notes that extreme images usually cause problems because some people consider them offensive or silly. In addition, she asserts that most of the gore pervertions depicted in the images are usually.

    Patricia MacCormack is Professor of Continental Philosophy, Anglia Ruskin University, UK. She is the author of Cinesexuality (), Post-Human Ethics () and editor of The Animal Catalyst (Bloomsbury, ), Deleuze and the Animal () and the upcoming Ecophilosophical Aesthetics (Bloomsbury, ). In trying to capture the power of Bollywood's commercial cinema, this paper looks at what is described in common parlance as an item number. The item number is a cine-segment comprising an item-girl/boy, a racy song, a vivacious dance and a surround of erotic and immanent exuberance. At one remove from the cinema hall, item numbers circulate as video clips and off-screen.

      Patricia MacCormack, a UK philosophy professor, has shaken up the climate-crisis discussion by suggesting, through her new book, "The Ahuman Manifesto," that . (source: Nielsen Book Data) Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in.


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Cinesexuality by Patricia MacCormack Download PDF EPUB FB2

Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all/5.

Book Description. Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all.

In her brilliant and challenging book, Cinesexuality, Patricia MacCormack brings us into the era of intensity and becoming.

Offering an Anti-Oedipus for image theory, MacCormack has produced a completely original approach to spectatorship as a corporeal and material distribution of 5/5(1). Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and Cinesexuality book an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all /5(10).

Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to.

"Cinesexuality explores the queerness of cinema spectatorship, Cinesexuality book that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to.

Cinesexuality’s thesis is premised on a desire to want cinema as a this might mean alerts us firstly to the fact that the book is a title in the Ashgate series Queer Interventions. While cinesexuality as a phenomenon knows no gender, exceeding both hetero-normative and homosexual frames of reference, it might also be said to queer these binaries in its paradoxical oscillation.

Buy Cinesexuality (Queer Interventions) 1 by MacCormack, Patricia (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible : Patricia MacCormack. Patricia MacCormack is an Australian scholar who lives and works in London, England.

Currently she is Professor of Continental Philosophy in English and Media at Anglia Ruskin University, Cambridge. She has published extensively on philosophers including Gilles Deleuze, Felix Guattari, Maurice Blanchot, Michel Serres, Luce Irigaray, and concepts such as queer theory, teratology, body.

Cinesexuality is, in part, a reformulation of "cinephilia", the excessive love of or for cinema. MacCormack convincingly speaks of the desire to watch something "filmy". "While this book is about spectatorship, its purpose is to describe the event of spectatorship as the very thing which makes thinking and describing 'the' or 'a' spectator.

E-raamat: Cinesexuality - Patricia MacCormack. Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics.

Reading this book, thinking with it and about it, and responding openly to it, is absolutely essential.” – Steven Shaviro, DeRoy Professor of English, Wayne State University, USA “This book is a delightful provocation and invitation: to imagine a world without humans and to think of what we can do to get there.

It is an urgent call for. A researcher who has “published in the areas of continental philosophy feminism, queer theory, posthuman theory, horror film, body modification, animal rights/abolitionism, cinesexuality and. In her brilliant and challenging book, Cinesexuality, Patricia MacCormack brings us into the era of intensity and becoming.

Offering an Anti-Oedipus for image theory, MacCormack has produced a completely original approach to spectatorship as a corporeal and material distribution of desire beyond dialectics.

For many readers, this will be an. Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all Brand: Taylor And Francis.

Eye For Film's Jennie Kermode caught up with her to ask a few questions, beginning with exactly what the book is about. Patricia MacCormack: Cinesexuality is a word I formulated to describe the unique and peculiar relationship we as spectators have with cinematic images.

Film theory, aesthetics theory and theories of sexuality have most. (source: Nielsen Book Data) Summary Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema.

In her brilliant and challenging book, Cinesexuality, Patricia MacCormack brings us into the era Offering an Anti-Oedipus for image theory, MacCormack has produced a completely original approach to spectatorship as a corporeal and material distribution of desire beyond dialectics. This work deals with the study of sexuality in spectator’s relation to the film.

Such relation to film image is masochistic in its nature, as cinema is real, material and forcefully affective. Cinesexuality explores the queerness of cinema spectatorship – represented as a unique encounter of desire, pleasure and perversion beyond binary dialectics of subject/object and image/meaning.

Through a variety of cinematic examples, the book encourages a radical shift to spectatorship as. You can write a book review and share your experiences.

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